Showing posts with label Joel Sternfeld. Show all posts
Showing posts with label Joel Sternfeld. Show all posts

Saturday, November 27, 2010

Joel Sternfeld: Sweet Earth

Joel Sternfeld: Sweet Earth

New monograph at the New Orleans Photography Workshops Library

As laissez-faire market forces sweep the globe and the earth's future seems endangered, the dream of living in concert with nature and with one another is increasingly essential. A common human longing throughout history, the utopian community ideal has taken root firmly in America over the past 200 years. In Sweet Earth: Experimental Utopias in America, Joel Sternfeld looks at 60 representative historic or present American utopias.

Neither a conventional history nor a conventional book of photography, Sweet Earth brings together what might otherwise seem disparate, individualized social phenomena and makes visible the community of communities. This tradition of thinking has ancient, universal precedents. When Thomas More wrote Utopia in 1516, he gave a name to an idea that had included the Epic of Gilgamesh, Plato's Republic and the Old Testament's and he started an argument. Francis Bacon (who believed in utopia through science) and Jean-Jacques Rousseau (utopia through nature) soon joined the debate, but it was the harsh changes in daily life engendered by the factory systems of the early Industrial Revolution that brought an urgency to the discussion, as seen in the writings of David Owens, Karl Marx, and Friedrich Engels. While the early social theorists were largely European, it was in the fluid environment of young America that true utopian communities were built and utopian experimentation flourished. In the years between 1810 and 1850, hundreds of secular and religious societies bravely tried to build a "perfect" life for their members. In the 20th century, experimentation began again, reaching a fever pitch in the turbulent days of the Vietnam War. Some of the late-1960s communes still survive and continue to flourish. The 1990s and the early years of the new millennium have become yet another hotbed of social experimentation. The co-housing movement is sweeping America with at least 70 communities fully completed and occupied and numerous others planned. At the same time, the rapid global expansion of sustainable communities known as ecovillages has been widely adopted in America.

This book by one of America's foremost artists includes a photograph of each community and is accompanied by brief text that summarizes the most salient aspects of the history or organization. A book that functions both as art, as well as a hopeful guide to alternative ways of life.

Wednesday, November 24, 2010

Joel Sternfeld: Walking the High Line

New monograph at the New Orleans Photography Workshops Library

Joel Sternfeld: Walking the High Line

Sometimes like a river of grass, sometimes like the wheat fields of the Canadian prairies, the High Line is a unique ruin that simultaneously permits contemplation of nature and the city. Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway line which runs for 1.5 miles along the West Side of New York City, from 34th Street down along the edge of the Hudson River, through West Chelsea's tree-lined blocks and art galleries, and into the heart of the Meat Packing District. Walking the path of this real-time landscape, Sternfeld has created a suite of images in which the landscape is read as both a social and cultural indicator.

Monday, November 8, 2010

Joel Sternfeld, Stranger Passing

Joel Sternfeld
From Publishers Weekly
Photographer Joel Sternfeld turns his exacting eye to American faces, social classes, character types and stereotypes in Stranger Passing. Sternfeld who wowed critics in 1987 with American Prospects devotes a remarkable (and remarkably large) volume to 60 hard-edged, full-color studies of individuals from Manhattan to Malibu, Austin, Texas to Appalachia, in candids and portraits by turns comic, disturbing, angry, pathetic and silly. A surprised lawyer struggles with bundles of laundry; a lumberjack shows off his truck, his logs and his belly button; and "two men on vacation in Bigfoot, Montana" smile through big mustaches at their tiny dog.
Journalist Ian Frazier (On the Rez) and San Francisco Museum of Modern Art curator Douglas R. Nickel contribute short essays.