Showing posts with label Eugene Richards. Show all posts
Showing posts with label Eugene Richards. Show all posts

Monday, December 20, 2010

Eugene Richards: Dorchester Days



New monograph at The New Orleans Photography Workshops library

This is Eugene Richards' 1972 photographic essay, a social document of his home town of Dorchester, Massachusetts, previously only self-published. The book includes additional pictures and a text that speaks of racial tension, violence, poverty and crime, tackling such subjects as the Klu Klux Klan in a way that he did not feel able to at the time of the original publication. On the basis of "Dorchester Days", Richards became a member of Magnum Photos in 1978, leaving to work independently in 1994. His style has set the standard for leading photojournalists such as James Nachtwey and Gilles Peress.

Monday, December 13, 2010

Eugene Richards: War is Personal


Eugene Richards: War is Personal

New monograph at The New Orleans Photography Workshops library

By early 2006, the war in Iraq was entering its fourth year. No weapons of mass destruction had been found. Tens of thousands of Iraqis were reported injured and dead, more than two thousand American soldiers had been killed, and rates of depression and suicide were rising among American military personnel. Yet all the while, Congress and the media debated what the conflict was costing America in image and treasure, and costing the president in popularity. Troubled by the public's growing indifference to the ongoing horrors in Iraq and critical of his own inaction, acclaimed photographer Eugene Richards began documenting the lives of Americans who had been profoundly affected by the Iraq war.

Bold and epic in scope, War Is Personal is a compilation of fifteen real-life stories that speak of what it means to go to war, to sacrifice, to wait, to hope, to mourn, to remember, to live on when those you love are gone. With heartbreaking photographs and texts, Richards records the funeral of twenty-two-year-old Army sergeant Princess Samuels and profiles veterans such as Tomas Young, who was shot in the spine and paralyzed four days into his tour in Iraq. Richards documents parents such as Carlos Arredondo, who grew so distraught upon hearing of his son's death in combat that he attacked and destroyed a Marine Corps van, severely injuring himself, and Nelida Bagley, whose massively brain-injured son requires nearly round-the-clock care.

Uncompromising and sure to be controversial, War Is Personal is a study of lives in upheaval and a chronicle of greatly differing attitudes, experiences, and understandings of what it means for Americans to go to war.

Wednesday, December 1, 2010

Eugene Richards: The Knife and Gun Club, Scenes from an Emergency Room

Eugene Richards: The Knife and Gun Club, Scenes from an Emergency Room

New monograph at the New Orleans Photography Workshops Library

Award-winning photographer Eugene Richards was asked by a magazine to report on what happens inside a typical emergency room. Once inside, he took photographs, talked with doctors and nurses and made friends with paramedics. He discovered a world he never knew existed. The Knife And Gun Club is the fascinating account of his exploration of emergency room medicine. Serial in LIFE magazine.